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Autopilot
Is For Lovers - To the Wolves
Max: It's like Akron/Family sung by female goats
at the circus. Very weird voice, I can't get past it.
Clarence: I like the gypsy music but the witchy-poo
vocals left a stain on the couch.
Steven: I want to like this, but it sounds like the
soundtrack to a gerbil in a man's ass.
Patty: Jello witches.
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Chris
Stuart & Backcountry - Crooked Man
Max: Really beautiful bluegrassy folk. Downbeat and wonderful,
ancient sounding. Ultra Dorian
Low lonesome sound.
Clarence: The bluegrass is happily delivered depressing
stuff. The folk is beautifully depressing harmonies. Great
sound.
Steven: Traditional folky stuff that is folky and traditional.
Patty: What a bad start to the night
bluegrass
on my arrival.
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Common
Market - The Winter's End EP
Max: Some nice, soulful down-beat hip-hop with nice music.
Actual melody and mostly clever lyricism.
Clarence: I also like the bass. Street musician hip-hop.
Nice stuff for having no guitar.
Steven: Good lyrical skills backed by clever tunes.
Patty: Looney Tunes stylee hip-hop. I love that he's not
talking about bitches & bling & whatnot.
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James
Dunn - The Long Ride Home
Max: Marc Cohn channeling the spirit of Bruce Cockburn
beautiful low-beat acoustic pop. Excellent songs & production.
Clarence: Steve Earle overly sincere, but nice. 80's Springsteen,
but not that bad.
Steven: We could spend all night coming up with people that
this sounds like. Currently we're at 17.
Patty: This just reminds me of how catastrophic my life
has become. Seger w/o any edge.
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Jenny
Gillespie - Light Year
Max: Heavily Joni Mitchell influenced piano and vocals.
Beautiful songs with power and serenity.
Clarence: Sparse girly folk. Like a beautiful velvet
poster of Unicorns.
Steven: Solid. Music that doesn't leave you wanting,
but still has room to grow.
Patty: Talented sensitive woman w/ piano. Little bit
of Sarah McLachlan - nothing swings and animals still need adoption.
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The
Great Depression - Forever Altered
Max: Grand, epic pop
like George Michael mixed all
up with The Divine Comedy. Not depressing.
Clarence: Orchestrated prog-goth. Sounds like half of
everything on Projekt.
Steven: I am really surprised the band name The Great
Depression wasn't already taken.
Patty: Shins-ish. Decemberists-ish. Lounge-ish. Eminently
forgettable.
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Ernie
Halter - Starting Over
Max: Soulful pop ala Ray LaMontagne, only with heavy 70's
rock and disco influence. Excellent production.
Clarence: PBS blues. Amos Lee. Ben Harper. Dude has a
voice that makes the ladies quiver.
Steven: The crap that musicians write & sing to sound
clever & soulful in order to get laid.
Patty: Paul Rodgers. Apparently girls hook up with him
because they are "ready for love".
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Stephen
Lynch - 3 Balloons
Max: Very, very funny & irreverent acoustic songs. Very
well written, excellent playing. Well worth a listen!
Clarence: Hilarious now, I hope it holds up. Very YouTube.
Steven: Tenacious D, Jack Black stuff.
Patty: Hilarious and talented.
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Matthew
And The Arrogant Sea - Family Family Family Meets The Magic
Christian
Max: Arrogant indie rock with artsy production and grand
ideals. Beautifully Beach Boys but Flaming Lips more.
Clarence: Better than most Flaming Lips bands fronted
by Neil Young.
Steven: Self-indulgent droney crapthat even musicians
would have a hard time liking.
Patty: More of that Decemberists shit. Indie yodeling.
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Muy
Cansado - Stars + Garters
Max: Incredible alt.rock
like Orbit playing with the
Pixies. Very 90s. Very guitar. Very great.
Clarence: Pere Ubu, Yo La Tengo. Loud quiet loud. Ok, but
I'd rather hear The Points.
Steven: Although no one would agree, this reminds me of
Everclear. Very late 90's sound.
Patty: Strong finish, good rock. A little bit of X with
The Strokes.
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The
New Duncan Imperials - End Of Phase One
Max: When this band rockabillies, people listen
because
they still rock. Tasty guitars and select drums.
Clarence: They're back! My Facebook friend Little Steven
should check this out. Country garage.
Steven: I'm guessing this is much better live. The CD lacks
energy.
Patty: Cake mixed with Dramarama. Too polished to be a bar
band, too skimpy to get 2nd play.
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Number
Prophets - Simple Songs For Dangerous Times
Max: Heavy, soulful psychedelic rock with great, deep guitars
and throbbing rhythms. Dangerously good.
Clarence: Proto-metal with garage vocals. Fulfilling the
promise Kings Of Leon pissed away.
Steven: Good production, but the song lyrics left a lot
to be desired.
Patty: Has the same preachy XTC qualities I thought Van
Halen had extinguished for all time.
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Peelander-Z
- P-Pop-High School
Max: Toshiro Mifune fronting Ramones all Japan-stylee. The
best Japunk of all time; eclipses Shonen Knife.
Clarence: Guitarwolf meets The Banana Splits. Lots of cheerleaders
like a rollerblade videogame.
Steven: Japunk in Technicolor. Straight awesome!
Patty: Awesome! Tonight's winner. Velly gooood. Not only
funny, but way upbeat and tight.
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Christine
Santelli - Any Better Time
Max: Bar rock Sheryl Crow style
rough-edged vocals
on personal songs with no real commitment.
Clarence: She's been hurt
real bad. But I'd tangle
with her. I think I could hurt her more.
Steven: Sophisticated truck stop whoring blues.
Patty: Bonnie Raitt. Sheryl Crow. This is what panties smell
like after an engine rebuild.
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Jesse
Terry - The Runner
Max: Nice Nashville country/rock
nothing incredible,
but a great start with great production. Find your voice!
Clarence: What WB teen opera is he on? Over-produced country
pop. Set this band free.
Steven: A few okay songs amongst fluff and boredom.
Patty: Jesse Terry doesn't excrete waste.
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The
Von Ehrics - Loaded
Max: Tasty punk country
tons of Social Distortion
influence
tons of beautiful grit and power. Incredible.
Clarence: Punk grass? Incredible drumming, hot licks and
Steve Earle song. Damn straight.
Steven: Fast songs rock, slower songs not so much. FF through
the first 2 songs.
Patty: Finally some alt.country w/ some bite & distortion
& speed. A+ w/ chest hair.
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