Last time on Pirates Of The Caribbean:
Captain Jack Sparrow (Depp) tried to escape the
grave debt to Davy Jones. Lord Cutler Beckett (Hollander)
turned Will Turner (Bloom) and Elizabeth Swann’s
(Knightley) happily ever after into a classic tragedy
of doomed lovers. They learn of Davy Jones’ one and only weakness:
his heart in a hidden chest. Conflicting interests collide, leading
to one betrayal after another. Bloom values his father’s freedom
over Jack’s. Norrington seeks the heart to restore his rank
in the Queen’s Navy. And in the end, Elizabeth traps Jack
Sparrow on the Black Pearl, leaving him to the maws of Davy Jones’
Kraken. Desperate to wrest their beloved Captain from Davy Jones’
locker, the crew of the Pearl vows to bring their hero back to this
earth, even if it means partnering up with the villainous Barbossa
(Rush).
That should bring you back up to speed. If you’re anything
like me, you haven’t seen Dead Man’s Chest
in about a year. Also, you saw it at a press screening and wrote
a lukewarm review of it that ended as such:
The rest of my judgement will be saved for the last installment
in the Pirates “trilogy.” They could make a
good third movie and blow me completely away. That would be sweet.
After all, I tasted portions of the greatness of the first movie.
They could still have that “magic” and bring it all
home in the third. This could all be build up to an epic crescendo.
I can safely say that At World’s End falls in the
“sweet” category. This final installment serves as the
climax of a 5.25-hour story consisting of two movies. Verbinski,
Elliot, and Rossio must have read my review
of Dead Man’s Chest, because they took the time to
put in all the action and comedy that I missed so dearly. For example,
imagine an 18th century Mexican standoff that ended in a series
of pulled triggers, only to be reminded that wet powder does not
burn. Or maybe an epic finale where the Black Pearl and the Flying
Dutchman circle a maelstrom, firing and slashing and parrying and
stealing and falling and dying.
There were a few things I didn’t like in this movie. Que
sera sera. Maybe they could have found a better visual representation
of a goddess than a 100-foot woman. Maybe Will Turner and Elizabeth
Swann could have found a better time to be married and a better
man to marry them. But these are minor problems compared to my gripes
about Dead Man’s Chest. Especially because we get
to see Keira Knightley engage in deviant piratical femme-dom and
Keith Richards as the classical Disney pirate.
Oh, and don’t expect a “happy” ending. The less
you think about the bitter side of the sweet, the happier you’ll
be.
—Duncan Wright
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