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KHUDA GAWAH
Glamour Films
Director: Mukul Anand
Written by: Santosh Saroj
Cast: Amitabh Bachchan, Sridevi, Danny Denzongpa, Kiran Kumar, Shilpa
Shirodkar, Nargarjuna Akkineni, Vikram Gokhale

Rating: out of 5


Q: What country produces the largest number of films per year? What country has the most profitable movie industry?

A: India, on both counts.

When we are small children, our internal understanding of what is possible in the set of all things "movie" is constantly being expanded as we see more. As we grow older, this expansion of our movie worldview slows, and eventually comes to a stop. We are then jaded; we can go to the theater capable of enjoyment, but not that same childlike wonder. That is, unless we see a movie that completely goes beyond anything we even dreamed of expecting. It's such a thrill, it's almost a religious experience, because it alters our perception of what is possible on film.

Once I reached adulthood, I have only three times had this experience: when I first saw a Gene Kelly movie (SINGING IN THE RAIN), when I first saw a Jackie Chan movie (POLICE STORY), and when I first saw a "masala" film (KHUDA GAWAH). Everybody in the world seems to have already been a fan of Gene Kelly; by this time, most people are now familiar with Jackie Chan; but here in America-unless you are of Indian descent-chances are exceedingly slim that you're a fan of Bollywood musicals.

Masala films mix together seemingly disparate film genres in a heady blend, resulting in a completely unique flavor. My first masala film, KHUDA GAWAH ("God Is My Witness"), was a romance western crime mythic prison drama religious multigenerational epic action musical. How is that possible, you ask? How could that possibly work? It's brilliant. It does.

The opening: 1960s Afghanistan. A horde of horsemen race across the plains-Two rival families are playing a deadly ritual game of buzkashi, racing to be the first to carry a goat carcass across a finish line. The two greatest warriors on both sides are neck and neck, each with one hand grasping the carcass-and then one's scarf falls, revealing to the other that "he" is actually a "she". Stricken by the beauty of lovely Benazir (Sridevi), Badshah Khan (Bachchan) lets go, allowing her to win. He will marry her, he decides in that moment.

One lush music and dance number later, Benazir has agreed to take Badshah Khan's hand in marriage if he travels to India and brings back the head of Habibullah, the fiend who killed her father. Badshah Khan swears, "Khuda Gawah"-"God Is My Witness," that he shall do so. And so begins a tale of romantic oaths, honor, and betrayal like you have never seen before. I won't give away more, because I want your experience to be a pure one, but be warned that the movie doesn't go where you would expect it to.

The movie is three hours long, but it is one of the few you will ever see that truly needs that length. No stalling in this movie; the plot on this thing is a rollercoaster. And it actually makes sense! I only bring this up because the movie's closest brother, in terms of feel, might be the school of Hong Kong cinema which wobbles perilously between total screwball comedy and overwrought tragedy, and is characterized by a marked lack of coherence. But this film replaces the comedy with soap opera twists, and goes to great lengths to be completely coherent. Every time I questioned the movie's logic, I was then able to promptly answer it myself.

And the cast! Talk about charisma. Amitabh Bachchan is kind of a Harrison Ford mixed with James Earl Jones mixed with Paul Newman with a dash of Cary Grant. Only in India, he's evidently bigger than all of them ever were, put together. Sridevi's a hot-hot hottie, and she gets to sink her teeth into a dual role as two contrasting characters. And Kiran Kumar, as the scenery-chewing villain Pasha, deserves cult status for a performance that's part Alan Rickman, part Dom Delouise.

Watch it with friends, and you might laugh at the silliness of the musical numbers mixed in with the John Woo-style action. Watch it by yourself, and you may find a lump forming in your throat at the climactic final musical-action sequence. Either way, you'll get the catchy title song "Khuda Gawah" stuck in your head for days-and like it. But watch it! If you're unfamiliar with Bollywood, it will be an experience unlike any you've ever experienced-and KHUDA GAWAH is one of the best of the genre.

-Quin Arbeitman

hybridCinema Ratings Guide:

Take a pal and pay full price for both tickets.

It’s worth a full-price ticket.

It’s worth a matinee ticket.

Wait for video rental.

Check out the video from the library, if you must.

While we would never encourage anyone to destroy a video...


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