Cast: Bill Paxton, Sir Ben Kingsley, Anthony
Edwards, Brady Corbet, Vanessa Anne Hudgens, Soren Fulton, Sophia
Myles, Ron Cook
Rating:
I know why you’re here. You’ve come to allow your eyes
to tear into my evisceration of Thunderbirds, like lean, hungry
dogs that have just been granted a flank of mutton. And truly, I
hate to disappoint, as gleefully savage reviews of films that would
make the blind weep blood (see New York Minute, Highwaymen,
White Chicks) have become something of my disdainful hallmark
as a contributor for this modest web magazine, but, shockingly,
Thunderbirds is not the worst thing I’ve seen. Not
ever, not even this year. Not by the wingspan of a large and futuristic
rescue ship. Thunderbirds may indeed be a remake (or reimagining,
or whatever “they” call them these days) of a beloved
1960s British television series starring puppets, which automatically
deigns that any rabid (and probably overweight and probably excessively
sweaty) fan who enjoyed the show during its original run must sling
a certain amount of ire at the property’s new, big-budget
conception, as must any faux-hipster purist who wishes to retain
membership to the geek-chic club. But really guys, Thunderbirds
isn’t all that bad for a kids’ film based on a cult
show in which Bill Paxton is a superhero patriarch
and Sir Ben Kingsley is once again cast as an East
Indian, wears a burgundy robe emblazoned with a dragon, and comically
spins around like a bald cyclone. In fact, it’s probably the
best film in that genre to date.
Jeff Tracy (Paxton) is the father of five frosted-blonde, Abercrombie-styled
sons, each more aesthetically stomach-churning than the last. But,
instead of scoring pussy, smoking dope, and stuffing geeks into
lockers, as most good-looking young Caucasian males do, the Tracy
males devote their lives to saving innocent people from burning
oil refineries, natural disasters, collapsing monorails, etc. Jeff
Tracy, you see, is an ex-astronaut and billionaire, and instead
of erecting a 900-foot golden colossus of himself (as I would do
if I were a billionaire), he manufactures a small fleet of technologically
magnificent rescue ships called “Thunderbirds” and purchases
a tropical island upon which he builds the somehow-undetectable
headquarters/living quarters of his comrades/family. The youngest
member of the Tracy family, Alan (Corbet), is frustrated
because Jeff will not yet allow him to become a member of the Thunderbirds,
and along with his friends Fermat (Fulton) the
geek, and Tintin (Hudgens), his underage love interest,
is consigned to watching the Thunderbirds do their rescuin’
on TV with the rest of the world. Enter The Hood (Kingsley, whose
costume bears an uncanny resemblance to Raul Julia’s
circa the lovably unholy Street Fighter: The Movie), who
quite easily discovers the location of Tracy Island, strands the
active Thunderbirds in space on a satellite which is quickly running
out of air, and aims to take control of Thunderbird 2 (the big green
ship for those in the know) to nefariously use as a bank-robbing
vehicle, while the entire world watches in horror, thinking that
their heroes, the Thunderbirds, are to blame! Gasp!!! Also, The
Hood was born with the magical ability of making his pupils turn
into vertical slits (no vagina jokes, please), allowing him to control
people’s minds, as well as spinning like the aforementioned
bald cyclone. And only Alan, Fermat, and Tintin, along with Fermat’s
stuttering, dorky dad (Edwards), super-sexy British
secret agent, Lady Penelope (Myles, whom every
adult audience member, regardless of gender or sexual orientation,
will wish was granted a nude scene) and her manservant, Parker (Cook),
can save the world from having a couple of its banks robbed (oh,
and save the other Thunderbirds, too, although they’re all
so ugly I wish they’d just die). Along the way, the kids learn
harsh and valuable lessons about friendship, responsibility, and
awkward-but-necessary sexual tension.
Like a veteran of many pornographic films, Thunderbirds
manages to successfully straddle and miraculously envelop the daunting
load of an entertainment experience that can be appreciated by both
children and adults alike. In other words, I did not wish to slit
my own wrists while drinking bleach to wash down about a hundred
cyanide tablets at any point during the movie. Children will enjoy
the flashy special effects (I kid you not, this is the best example
of CGI smoke I’ve ever seen), the gooftacular humor, and the
bloodless cartoon action, while adults will ponder with disturbed
curiosity just what Sir Ben Kingsley is doing in this movie, how
they got Sir Ben Kingsley to play The Hood, and is that really Sir
Ben Kingsley? Although the plot is inane indeed, and the film does
seem to drag on far longer than it should, the adult cast enthusiastically
hams it up with infectious passion. The younger players, who monopolize
the film, manage to avoid disheartening and faith-shattering levels
of Xtreme-ness. The three leads share an animated chemistry and
it is nigh-impossible not to root for them. Of course, a large part
of me also wished that The Hood would control their wills and force
them to cannibalize each other slowly, but the simple fact that
I was rooting for the protagonists at all is no small wonder, and
a testament to Thunderbirds’ unexpected competence.
This film is, ultimately, aimed exclusively at the pre-teen demographic,
to which I have not belonged for (sigh) more than a decade. Although
I acknowledge that yes, this is a better-than-average film, and
in many respects, one of the most mindlessly enjoyable films I’ve
seen all summer, I cannot simply stride past the fact that the talent
(Sir Ben Kingsley, I’m a-looking at you) and the resources
spent on this film could have been better used. That, however, is
a generic disagreement, and sadly, is the best that I can come up
with. If you happen to be a youngster, and you’ve slogged
past all of the foul language and sexual references (no need to
thank me—I know you secretly loved them) to get to this point
in the review, I urge you to see this film. You’ll love it.
Add one and a half stars to my score. If you’re an adult,
well, this isn’t really something you’ll want to see,
but if you have kids and they want something to do for a couple
hours on a sweatier-than-thou summer afternoon, you could do a lot
worse. As a bonus, you will observe as Sir Ben Kingsley delivers
the line “I’ll see you soon… Jeff!” with
the icy conviction that only the Sexy Beast himself can muster.
—Nathan Baran
hybridCinema
Ratings Guide:
Take a pal and pay full price for both tickets.
It’s worth a full-price ticket.
It’s worth a matinee ticket.
Wait for video rental.
Check out the video from the library, if you must.
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