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At this former burlesque hall, Dead Empty prepares for their set by taking the time to eliminate the bass feedback Ben Empty is exuding. Lead singer and guitarist Evan uses the delay tactic of goofing on Slayer, complete with faux metal posturing. Encouraging hoots from the early attendees put a grin on his face. To the satanic saluting underagers, he jokes, "We can’t play that good. There’s a reason I chose punk." And there most certainly is. As Dead Empty begins performing their "rock show intro", it’s obvious this Philadelphia crew are savoring every second. A bit of punchy hardcore, but more street punk than I was expecting. The pleasing tunes stick like mad. Evan’s comfort with the position he’s taken shows in his likeable smile and affable repartee. Plus he jokes around a lot. What draws me down to the floor is Ben Empty’s fantastic feedbackless bass lines. It was worth the wait to get the rich tones and unique runs he plunked down. Guitarist Andy scrubs fiercely at his strings in a self-abusive manner. Andy’s also got his own dynamic presence working as he responds to Evan’s calls. The creative chord choices these fellows make shows they are constructing lasting, independent songs. The Cramps-looking Dave Glass is full of precision beats on those leopard skins. Near the end of the satisfying set, a few kids circle timidly down front in an introductory ritual skank. Unfortunately, the vocal levels were too low to make out, a problem which continued through the evening.

The Boils have recently acquired a new guitar player, and I mean new. So new they haven’t even learned his name. Looking all of 15, he climbs onstage and starts plugging in. I figure he must be working crew. Then his slightly older buddy Warren mounts the drum kit. Confused, I ask around if The Boils are next. Greg straps on (not for the last time tonight) and heads to the mike. He worries out loud about the altitude as Dave slings his bass. When they cock back, the kid with the guitar bigger than himself explodes all over the stage. All that’s visible from behind the purple guitar body are thin legs springing, blurry arms cranking and a red head jerking uncontrollably. Poor Greg, who is, "Feeling like shit" in the first place is so completely upstaged that he comes across like Archie Bunker. Warren knocks his cymbals over early on, which may account for the light drum sound. Or it may be out of respect for Dead Empty’s kit. I can see he’s hitting in time but not much is reaching me. At one point the kid acknowledges his chaperones in the audience, which adds to my wonderment of this cradle-robbing. The songs are good if standard street fare, and Greg draws energy from the geyser of youth bounding on the stage beside him. Especially when he announces the last song, he kicks in everything he’s been saving up. Jumping about, laying aside his guitar and bonding with the kids down front. The convulsing new guy, fresh from soccer practice both steals and saves the show, giving the strength for Greg to fulfill his leads.

Shirtless, but fully decorated Craig brings The Forgotten on followed closely by Dkash and Johnny Bleach Jeans. They give little time for the freshly green haired (and fellow Ant-person) Gordy to get to the front. Gordy is an engaging performer, gesturing, striking out and posing for various photo ops. It’s a real treat to hear their songs delivered in person. Again the singing is buried in the mix. Craig has got to be the embodiment of all that is punk. Thirty seconds into the set, his rippling tattooed body is dripping with sweat. No exaggeration. By the apex, it is literally pouring off him. The guitar is completely wet and sweat and spit are dripping from the mike. It’s inconceivable how the guy can hold a pick and crank out the manic tunes he does. He and Bleach Jeans lurch mikeward and bark out choruses that the rest of us help out on. Greg smirks, stomps and jumps about in oversized creepers, directing Dkash’s crashing as he incites the crowd. Through most of the material from Vini Vidi Vici, intermingled with about half of Keep The Corpses Quiet, the pit is a riot of activity. When Gordy yells out "Here’s one you all know," they do and of course I don’t, damnit. The with-it youngsters are screaming into the mike, and I’m the old guy in the back once again.

Germany’s own Oxymoron strikes me as more hardcore than not, but still a melodic vein. Lead singer Sucker is sporting the new micro-mini mohawk in a crayon red hue, like a carpet sweeper with a spider-web tattooed on his noggin. He’s a large, muscular, menacing fellow, robotic and militaristic. Not as stiff as muscle-head Rollins, but if he and Peter Garrett had a child... He does manage to have fun dancing around self-effacingly in his wifebeater and bracers. Beyond the appearance, they stand out with the rhythms. Sometimes they take on a tribal beat or an odd vocal path. It’s surprisingly inventive stuff here. Sucker is very captivating, while guitarist Martin comes off like Adam Clayton--reserved, motionless and not giving away all his secrets. The bass player holds his position staunchly until The Boils’ singer Greg appears with an inflatable doll attached to his frontside, and proceeds to dry-hump the members of Oxymoron in succession, except Bjoern who seems oblivious, too busy brutalizing the skins. Dead Empty’s singer smiles approvingly from the wings while from the pit, his guitarist and several concert goers rub Sucker’s head and scream into the mike. The vocals are more audible, but that may just be Sucker’s enormous vein-popping howl. The delivery isn’t pared down a bit for the sparse hundred or so in attendance.

Through every performance of this show, other band members have been visible enjoying the music going on--either from the pit with the kids, raising a bottle from the wings, or pushing alongside a bass player to join in the chorus. And this after seeing each other perform for weeks. What better example can they give of that eternal punk cry emblazoned on Craig’s belly--Unity.

— Ewan Wadharmi

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