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I cannot stress enough how much Emmylou Harris has come
to mean to me over the last decade. Growing up in the
country, I got to hear plenty of her music, but then it was
absent from my life for almost a decade and a half. In
about 1995 I got my first taste of the new Emmylou, with
her epic release Wrecking Ball. It turned me around
and made me pay attention to a true innovator in country
and pop music. Bucking all of the current trends in country
music, Ms. Harris continues to create music that is dark
and introspective and yet full of her distinctive spirit
and beauty. She has given us an album that is deeply
personal and resplendent with lyrical intensity and musical
genius. The music drifts along sparsely dense, a more than
fitting backdrop to the themes of the songs given here.
Red Dirt Girl begins with the pulsing rhythms and
floating guitars of "The Pearl." Steeped in a
dirge-like atmosphere, this song sets the tone of the
album. "If there’s no Heaven, what is this hunger
for?" "Michelangelo" explores the depths of
mystery found in the souls of those people we have come to
know and care for in our travels through life. The song
floats along brilliant trails of reverb and acoustic
guitars, creating an almost mythic ambience. "I Don’t
Wanna Talk About It" is filled with multiple layers of
sound and interesting musical essences. The music is just
as spellbinding as the voice that carries it, and the
lyrics address the most common of human problems. Loss.
That theme is continued in "Tragedy." What do we
gain, only to lose it again… and do we learn? The trashy
lo-fi drums offset the simple beauty of this song.
"Red Dirt Girl" is full of brilliant imagery and
the poetry of recurring themes. The music is haunting and
dense and filled with the depth that the lyrics express.
"My Baby Needs a Shepherd" is a tragic look at
the struggle to find the strength to live this life. It is
a heavy song, with soaring backwards guitars and pounding
kettledrums. "I pray she rides a dolphin, but she’s
swimming with the shark, Out where none can save her, Not
even Noah and his ark." The loss at death is the
subject of "Bang The Drum Slowly." The lyrics are
simple, telling the departed hero of all the things that
went unlearned and unasked. The music is minimalist,
relying on the vocals to truly carry the song.
"J’ai Fait Tout" is the little French addition
to this record, a theme that Emmylou seems to be enjoying
in recent years. The music blends traditional instruments
with a more modern rhythm, making a nice synthesis of
sounds. The only cover on this record, "One Big
Love," is a nicely darkened version of the wonderful
Patti Griffin song. Emmylou’s voice is heavenly,
recreating the sinuous melodies of the song, with a new
depth and emotion. "Hour of Gold" is a deeply
tragic and ghostly song… unexplainable, really. It is a
song that needs to be experienced, not explained. "My
Antonia" is an amazing track, featuring Dave
Matthews on guest vocals. The two voices twine nicely
on a song that is full of beauty and some unearthly hope.
"I curse the ambition that took me far from her, for a
treasure not ever so fine or so fair, as the flash of her
smile or the touch of her fingers, the fire in her heart
and the smell of her hair." Wrapping up the album is
"Boy From Tupelo," a gritty final chapter
to one of the greatest musical stories written in recent
years. Love and lack endure. Perhaps that is our greatest
lesson to learn in this life, and Emmylou Harris is there
to help us understand and cope.
I cannot do justice to this record in the short space I
am given to review it. This record is the soul of what all
music should be--honest and pure. There is not one song
here that hasn’t brought a tear to my eye on one listen or
another. The depth of the emotions and intricacies of the
songs are extraordinary. Some would say that Emmylou has
forsaken her country roots. I would argue that she has not
only gone back to the roots of country, but she has taken
an American folk music to new heights. Her voice has always
been distinctive, and she has married it to a music that is
just as singular, and accentuates her voice’s beauty and
the meaning of her words. She has found new fans and
friends in the younger music community, evidenced here by
her work with Dave Matthews and Jill Cunniff,
as well as maintaining old ties with her friends, Bruce
Springsteen and Patti Scialfa. It is safest to
say that Emmylou has not recorded an album, so much as she
has given each of us a gift to hold close to our hearts andcherish.
-David DeVoe Track Listing: - The Pearl
- Michelangelo
- I Don’t Wanna Talk About It Now
- Tragedy
- Red Dirt Girl
- My Baby Needs A Shepherd
- Bang The Drum Slowly
- J’ai Fait Tout
- One Big Love
- Hour Of Gold
- My Antonia
- Boy From Tupelo
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