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On their third release, Moist have once again reinvented
themselves. This sonic incarnation gives us a fuller, more
mature sound than ever before, with smoother songs and less
angst. The songs are more downbeat than on previous
records, but the energy that Moist has always obtained
remains. The record is an experience more than a collection
of songs; a testament to the growth of the band as
producers and as songwriters. There are many points on this
record that I am subtly reminded of Collective Soul’s
earlier work, and I find that not only enjoyable to the
ear, but heartening that bands are still taking the time to
make great records that sound as fantastic as the songsallow.
"Underground" begins the record with its long,
quiet introduction. The song virtually explodes with beauty
when the first verse kicks in, leaving behind its quiet
fortitude for an exuberance long wanting in pop music.
Solid guitar prevails on "Push," the most
alt-rock of the 11 tracks. This song would be a strong
contender on AAA radio, if only the suits would put aside
their squabbling and program great music.
"Breathe" lays the record back into a slower,
keyboard driven groove. It is an intriguing track, with a
wonderful textural quality to the overall sound, and lyrics
of quiet intensity. "If only I could breathe, what
would you breathe, If only I could see what you see, if
only I could just believe." Acoustic guitars and easy
counter-rhythms take over on "Fish," a haunting
track in classic Moist fashion. Electronics play their part
without overshadowing the soul of the song, only adding to
the beauty. This is possibly the most well arranged song
I’ve heard in many months. "Comes and Goes" is
back to a nice rock groove. Out Matchbox 20-ing Matchbox
20. It includes many great passages, including
swirling, organ-like vocal harmonies in the bridge.
"Dogs" gives us the moniker for the album, and so
much more. It is a prime example of the songwriting prowess
of this band, and their ability to weave imagery and beauty
into the most difficult of human situation. "She picks
me up like I’ve never been down before, and its hard to
think you got the best of me yet, I can’t believe while
these dogs are at the door honey, you came to take apart
what’s left of me." Strangely pleasant discord moves
"Alive" along its path. This track is filled with
slightly distorted vocals and strong aural affinities,
creating a brooding ambience despite the odd jazzychords.
"Tonight" paints a simple and beautiful sonic
picture, full of grasping heartstrings and etches of pain.
The simplicity of the music belies the depth of the
thoughts behind the song itself. With an emo-like
intensity, "Pleasing Falsetto" barrels into the
ears with a quirky melody and sweetly arpeggiated guitars.
"Mandolin" is a track of folk sketches,
resplendent with rich imagery and yes… mandolin. Moist
explores their folky side here to great effect, fusing
traditional instrumentation with modern sounds. It is a
deadly combination, and one that they seem to have
mastered. "Place" relies on its interesting
rhythms and melodic guitar playing to set the mood for the
heavy lyrical content. "She comes over, rips me open,
right before my eyes, kills forever knowing full well we
will all get by." Don’t turn off the CD player yet,
kids… there is a secret track at the end for you to digest
as well. It’s pleasant and rough, recorded in the guitar
player’s living room.
These five Canadian lads have a penchant for creating
brilliant, smooth rock music, with enough pop flavor to
keep the album moving along at a good clip. Moist has once
more proven that they are more than just a musician’s band;
they are talented songsmiths and producers of extraordinary
depth. They have an ability to make music that grows easily
familiar, and yet retains its full depth of passion and
understanding. Their growth as artists has been an amazing
journey to watch thus far, and I look forward to hearing
more from them in the future. –David DeVoe
Track Listing: - Underground
- Push
- Breathe
- Fish
- Comes and Goes
- Dogs
- Alive
- Tonight
- Pleasing Falsetto
- Mandolin
- Place
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