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It would be easy to dismiss this album as a joke
were it
not so damned ambitious. While Satanic Puppeteer Orchestra
comes off as a crew of uber-literate geeks with way too much time
on their hands, the product they turn out is undeniably funny,
catchy, and somewhat irresistible. The music is an electronic
calliope of beeps that holds together well enough most of the
time, except when it doesn't, but what makes this music shine
are the vocals of lead "singer" SPO-20. Like
a meth-addled Stephen Hawking, SPO-20 robotically meanders
his way through the group's original songs, spouting such winsome
lyrics as "We've done this before so you know what's up/
I may not be your bookie, but you'd better pay up/ If you weren't
in a wheelchair I'd cut off both your legs/ Then I'd unleash some
termites on your pegs" while the music sounds like a Casiotone
version of mid-80's Madonna elevator music. "I Stole
Your Daddy's Time Machine" is a great song, filled with clever
8-bit Atari sounds and ultra-clever lyrics, but by the end of
the second song the overall concept begins to lose a bit of its
shine. But the sheer self-indulgence of releasing a 4-disc box
set for your debut recording is catastrophically confident and
not a tiny bit mad. Scattered throughout the B-sides And Covers
third disc are some hilarious moments, including covers of The
Cure's "Boys Don't Cry" re-titled "Robots Can't
Cry" and a stirring rendition of Billy Joel's "It's
Still Rock And Roll To Me". Highlights from the records include
"What Is The Most Expensive Way To Feed A Zebra?" and
the hilarious "Wolfman Rides A Unicycle". While it is
hard to listen to more than a few tracks at once, the off-kilter
rhythm of the vocals and the weird flow of the rhymes makes for
a great trance-like few minutes before humanity steps back in
and makes one wish to kick the metallic teeth out of the robots
head. Not simply a novelty record, SPO's debut release is filled
with some pretty great stuff, but take it in small doses
for your own good.
-L. Keane
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