Features
Reviews
Must Hear Music
Reviews Archives
Archives
Bargain Basement
Downloads
Music DVD
Upstart
Pipsqueaks
 
 
 
Features
Reviews
Archives
Send Us Mail
Contact Us
 
 

The Photo Atlas
No, Not Me, Never
Stolen Transmission/Morning After Records


Combining genres is a technique that a lot of bands are getting into these days. However it’s not easy. Country with punk: difficult; emo with jazz: tricky; but punk with disco: complex to say the least. Few will even attempt for fear of not getting it quite right. The Photo Atlas just happens to be ones of those bands who hit it on the head.

To combine these genres, you need to incorporate some of the main components of both. For disco there would be some strong repetitive bass rhythms and the bass itself played at a higher than normal range, matching that of the lead singer’s voice. For punk there would be basic lyrics that are easily repeated and screamed, sometimes referring to politics; also a rock beat that’s taken faster, shorter and stripped of additional instrumentation. In the first track “Electric Shock” the intro guitar leads one to believe that this song could be from a straight up punk or even rock band. Yet once the lead singer chimes in, the sound is automatically thrown to the disco influence. “Light And Noise” has a rather mellower beginning than the others. For this one they broke it down, so it has both the simple bass and simple lead guitar riffs, just repeating over and over. Again, once Alan (vocals/guitar) starts his singing, the drums go more towards the cymbals and the guitar changes slightly, demonstrating the disco-ness. One of my favorite songs on the album is “The Walls Have Eyes”; the beginning of this song has both a lower and higher guitar. The lower ranged guitar is a nice surprise, different from previous songs and changes the feeling of the song a little. This time the lead guitar has a much more complicated part, which keeps you entranced. Even though the drums remain almost entirely on the cymbals, this song can be considered completely punk.

This band had a difficult task to do: combine two completely different genres. Luckily for us they were successful at that task and made some good music at the same time. On this CD you could hear influences from anywhere like Panic! At The Disco, Placebo, and even some Bullet Train To Vegas. It’s a good one for the next generation of music enthusiasts.

-Rachel Fredrickson

Track Listing:
1. Electric Shock
2. Merit
3. Light And Noise
4. The Walls Have Eyes
5. She Was A Matador
6. Red Orange Yellow
7. Broadcasting Feedback
8. Little Tiny Explosions
9. Cutback
10. Handshake Heart Attack


Check out more reviews

Talk Back
e-mail the chief

Like this article?
e-mail it to a friend!

 


Rodeo Ruby Love



Spearhead
-------


Mile High Music Festival
Melanie Moffett

The Postelles
Adam Barnosky

Phoenix
Rachel Fredrickson

Civil Twilight
Rachel Fredrickson

April Smith
Susan Frances

SXSW 2010
David DeVoe

Paper Route
Rachel Fredrickson

Warped Tour 2009
Rachel Fredrickson

The Queen Killing Kings
Susan Frances


Ray LaMontagne
Nashville, TN

Morning Benders
Nashville, TN

Wolfmother
Kansas City, MO

Modest Mouse
Boston, MA

Hypernova
Denver, CO

Flaming Lips
Bonner Springs, KS

Gomez
Denver, CO

Cheap Trick
Kansas City, MO

Ok Go
Kansas City, MO

Sick Puppies
Kansas City, MO

Inner Party System
Kansas City, MO

Mute Math
Kansas City, MO

Snow Patrol
Denver, CO


 
hybridmagazine.com is updated daily except when it isn't.
New film reviews are posted every week like faulty clockwork.
Wanna write for hybrid? Send us an e-mail.
© 1996-2009 [noun] digital media. All rights reserved worldwide. All content on hybridmagazine.com and levelheadedmusic.com is the intellectual property of Hybrid Magazine and its respective creators. No part of hybridmagazine.com or levelheadedmusic.com may be reproduced in any format without expressed written permission. For complete masthead and physical mailing address, Click Here.